great rooms

A Low-Key Outside, Exuberant Inside Village House

Sasha Bikoff warned her husband, “I’m going to go kind of crazy here.”

The Living Room: The Pierre Frey wallpaper was the first thing to go up, and the Pierre Paulin Ribbon chair, found at auction, had always been on Bikoff’s wish list. “I inherited the Persian Tabriz rug from my grandparents,” she says. “And I really wanted to do classic café curtains with the Rose Cumming shades and drapery to give a little charm to the mix.” The photograph is by Gerald Jenkins. Photo: Chris Mottalini
The Living Room: The Pierre Frey wallpaper was the first thing to go up, and the Pierre Paulin Ribbon chair, found at auction, had always been on Bikoff’s wish list. “I inherited the Persian Tabriz rug from my grandparents,” she says. “And I really wanted to do classic café curtains with the Rose Cumming shades and drapery to give a little charm to the mix.” The photograph is by Gerald Jenkins. Photo: Chris Mottalini

Sasha Bikoff’s 21-foot-wide house on Commerce Street in Greenwich Village was built in the 1820s in the late-Federal style, which doesn’t call undue attention to itself. But step inside and it runneth over with colors, patterns, and references. “My goal for the house was really to create this Notting Hill–French country vibe,” Bikoff says. “It started with the Pierre Frey wallpaper.” Oh, and there are a few Venetian notes as well.

“I love to tell a story, and I like to make up a story that doesn’t exist,” Bikoff adds.

She was raised in an Upper East Side apartment with a minimalist look, but at age 14, she rebelled. She set off to Janovic for pink wall paint and draped her stainless-steel Conran canopy bed with fabrics found in the Garment District. Bikoff had admired her Persian maternal grandmother’s homes, which involved “a lot of Middle Eastern and European antiques and big puddles of silk drapes — very glamorous,” she recalls.

She went off to college, studied in Paris, and then spent four years at Gagosian (she had previously interned there while in high school). Yet it was always décor, not art, that resonated for her. Her mother let Bikoff redo her apartment at the Dakota when she was in her early 20s.

She is self-taught in décor. “I walked the entire D&D Building in one week, teaching myself about all the vendors” — fabric, wallpaper, furniture — “and I did it in the New York Design Center, too,” she says.

“I was fighting my real passion to be a decorator,” she explains. “And I love the term decorator. A lot of people are, like, ‘interior designer,’ but I am like, ‘No! Call me a decorator.’ ” She started her practice in 2014. In 2018, Donatella Versace spied her work on Instagram and flew her to Milan to create a home collection based on what she’d seen, then asked her for a second collection that was unveiled in Miami during Art Basel the next year.

She bought this house before the pandemic and rented it out. After she married Adam Cooper a year ago, she set to work on decorating it so they could move in. Bikoff warned him in advance, “I’m going to go kind of crazy here.”

The Front Door: “I call this my Bottega Veneta–green door,” Sasha Bikoff says. The paint color is a Farrow & Ball Danish green. She designed the custom-made wave-back banquette.

The Kitchen: “The marble kitchen was here, which I don’t mind. It’s not what I would do, but it’s so neutral it kind of goes away,” Bikoff says. “The cabinets were originally cherrywood, which I hated, so I lacquered them all in a Farrow & Ball blue and added the copper hardware.” The vintage Windsor chairs sport cushions made of old Brunschwig & Fils embroidered fabric.

The Landing: The shade is from Brunschwig & Fils. The custom runner was designed by Bikoff with Stark Carpet. The Ceramica Gatti candleholders and vintage Italian leopard belonged to her grandfather.

The Main Bedroom: “I wanted something wild and fun,” Bikoff says of her romantic, Venetian-inspired bedroom with Pierre Frey animal-print wallpaper and valances and drapery from Fabricut with trim from Samuel & Sons. The Achille Castiglioni light fixture from Flos injects a note of ’60s spunk into the 19th-century reverie. The bed is dressed in Bella Notte Linens.

Photographs by Chris Mottalini

The Front Door: “I call this my Bottega Veneta–green door,” Sasha Bikoff says. The paint color is a Farrow & Ball Danish green. She designed the custom-made wave-back banquette.

The Kitchen: “The marble kitchen was here, which I don’t mind. It’s not what I would do, but it’s so neutral it kind of goes away,” Bikoff says. “The cabinets were originally cherrywood, which I hated, so I lacquered them all in a Farrow & Ball blue and added the copper hardware.” The vintage Windsor chairs sport cushions made of old Brunschwig & Fils embroidered fabric.

The Landing: The shade is from Brunschwig & Fils. The custom runner was designed by Bikoff with Stark Carpet. The Ceramica Gatti candleholders and vintage Italian leopard belonged to her grandfather.

The Main Bedroom: “I wanted something wild and fun,” Bikoff says of her romantic, Venetian-inspired bedroom with Pierre Frey animal-print wallpaper and valances and drapery from Fabricut with trim from Samuel & Sons. The Achille Castiglioni light fixture from Flos injects a note of ’60s spunk into the 19th-century reverie. The bed is dressed in Bella Notte Linens.

Photographs by Chris Mottalini

More Great Rooms

See All
A Mod, Mix-It-Up English Country Cottage in the West Village